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日本映画入門１
| 担当者名 | メス， トーマス Ｐ． |
|---|---|
| 単位 | 2 |
| 年度・学期 | 2023 春 |
| 曜日時限 | 木5 |
| キャンパス | 三田 |
| 授業実施形態 | 対面授業（主として対面授業） |
| 登録番号 | 37919 |
| 設置学部・研究科 | 国際センター |
| 学年 | 2, 3, 4 |
| 科目概要 | - |
| K-Number | CIN-CO-00123-212-01 |
| 科目設置 | 学部・研究科 | CIN | 国際センター |
|---|---|---|---|
| 学科・専攻 | CO | ||
| 科目主番号 | レベル | 0 | 学部共通 |
| 大分類 | 0 | その他科目 | |
| 小分類 | 12 | 国際センター講座（人文科学） - 芸術 | |
| 科目種別 | 3 | 選択科目 | |
| 科目補足 | 授業区分 | 2 | 講義 |
| 授業実施形態 | 1 | 対面授業（主として対面授業） | |
| 授業言語 | 2 | 英語 | |
| 学問分野 | 01 | 思想、芸術およびその関連分野 | |
授業科目の内容・目的・方法・到達目標
This course explores the origins of cinema in Japan and its development up to the present day. It will look into cultural influences that shaped approaches to filmmaking as well as narrative conventions and genres. We will also investigate how Japanese films have shaped foreign views of Japan and Japanese culture. Particular attention will be paid to issues and problems of film study in relation to cinema from Japan, including the construction of the “Japaneseness” of Japanese films.
Goals:
To develop knowledge of the course topic (Film in Japan) and the research and debates that have been central to it.
To develop general skills in the critical reading of and reflecting on academic texts.
To apply these skills to the course topic in the shape of analytical papers, including on films viewed in class.
Goals:
To develop knowledge of the course topic (Film in Japan) and the research and debates that have been central to it.
To develop general skills in the critical reading of and reflecting on academic texts.
To apply these skills to the course topic in the shape of analytical papers, including on films viewed in class.
授業の計画
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成績評価方法
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テキスト（教科書）
None
参考書
These readings will be available through K-LMS:
David Bordwell, Ozu and the Poetics of Cinema. Princeton: Princeton University Press, 1988, pp. 31-50
David Desser, Eros Plus Massacre. Bloomington: Indiana University Press, 1988, pp. 39-57
A.A. Gerow, “The Benshi’s New Face: Defining Cinema in Taishō Japan”, Iconics 3 (1994), pp. 69-86
Kyoko Hirano, “The Occupation and Japanese Cinema”, The Occupation of Japan: Arts and Culture, ed. Thomas W. Burkman. Norfolk, 1988, pp. 142-153
Joan Mellen, “History through Cinema: Mizoguchi Kenji’s The Life of Oharu (1952)”, Japanese Cinema: Texts and Contexts, eds. Alastair Phillips and Julian Stringer. Abingdon and New York: Routledge, 2007, pp. 90-101
Tom Mes (1), “Rashomon in the Thicket of Geopolitics”
Tom Mes (2), “V-Cinema: How Home Video Revitalized Japanese Film and Mystified Film Historians”, Introducing Japanese Popular Culture, ed. Alisa Freedman and Toby Slade. Abingdon and New York: Routledge, 2017, pp. 216-226
Stephen Prince, The Warrior’s Camera: The Cinema of Akira Kurosawa. Princeton: Princeton University Press, 1991, pp. 3-31
Catherine Russell, “From women's writing to women's films in 1950s Japan: Hayashi Fumiko and Naruse Mikio”, Asian Journal of Communication
David Bordwell, Ozu and the Poetics of Cinema. Princeton: Princeton University Press, 1988, pp. 31-50
David Desser, Eros Plus Massacre. Bloomington: Indiana University Press, 1988, pp. 39-57
A.A. Gerow, “The Benshi’s New Face: Defining Cinema in Taishō Japan”, Iconics 3 (1994), pp. 69-86
Kyoko Hirano, “The Occupation and Japanese Cinema”, The Occupation of Japan: Arts and Culture, ed. Thomas W. Burkman. Norfolk, 1988, pp. 142-153
Joan Mellen, “History through Cinema: Mizoguchi Kenji’s The Life of Oharu (1952)”, Japanese Cinema: Texts and Contexts, eds. Alastair Phillips and Julian Stringer. Abingdon and New York: Routledge, 2007, pp. 90-101
Tom Mes (1), “Rashomon in the Thicket of Geopolitics”
Tom Mes (2), “V-Cinema: How Home Video Revitalized Japanese Film and Mystified Film Historians”, Introducing Japanese Popular Culture, ed. Alisa Freedman and Toby Slade. Abingdon and New York: Routledge, 2017, pp. 216-226
Stephen Prince, The Warrior’s Camera: The Cinema of Akira Kurosawa. Princeton: Princeton University Press, 1991, pp. 3-31
Catherine Russell, “From women's writing to women's films in 1950s Japan: Hayashi Fumiko and Naruse Mikio”, Asian Journal of Communication
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