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SEMINAR B(2)
Lecturer(s) | FUJII, SHINYA |
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Credit(s) | 2 |
Academic Year/Semester | 2025 Fall |
Day/Period | Fri.5 |
Campus | SFC |
Class Format | Face-to-face classes (conducted mainly in-person) |
Registration Number | 27074 |
Faculty/Graduate School | POLICY MANAGEMENT / ENVIRONMENT AND INFORMATION STUDIES |
Year Level | 1, 2, 3, 4 |
Field | RESEARCH SEMINARS SEMINARS |
Grade Type | This item will appear when you log in (Keio ID required). |
Prerequisites(Recommended) | B6096 コンピュータミュージック1/COMPUTER MUSIC 1 B6097 コンピュータミュージック2/COMPUTER MUSIC 2 C2121 音楽と脳 /MUSIC AND THE BRAIN |
Related Classes | B6027 デザイン言語実/DESIGN LANGUAGE: INTRODUCTION AND PRACTICE C2108 インタラクションデザイン/INTERACTION DESIGN B4003 システムプログラミング基礎/FUNDAMENTALS OF SYSTEM PROGRAMMING C2127 音楽と心・身体/MUSIC AND THE MIND/BODY |
Recommended Knowledge | 【前提知識】Ableton Live, Max / MSP / Jitterの使用経験 【推奨知識】Gitの使用経験 【推奨知識】音響処理言語・フロントエンドプログラミング・電子工作の経験 【推奨知識】音楽制作経験、音楽ポストプロダクション(ミックスやマスタリングを含めた)、インスタレーションの経験 |
Lesson URL | This item will appear when you log in (Keio ID required). |
Location | SFC |
Course Requirements | This item will appear when you log in (Keio ID required). |
Student Screening Courses requiring entry to selection should be registered via SOL-A. *Only students who have a CNS account and who are not students of the Faculty of Policy Studies, Faculty of Environment and Information Studies, Graduate School of Media and Governance, Faculty of Nursing and Medical Care, and Graduate School of Health Management can enter via the system. Please check K-Support News for the details. | This item will appear when you log in (Keio ID required). |
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Assignment Submission | This item will appear when you log in (Keio ID required). |
Equipment & Software | Depending on what you want to create. For example, we often use a combination of the following 1-3: [1. Ableton Live, Logic, ProTools, Reaper] [2. Max/MSP/Jitter, PureData, SuperCollider, JUCE, Faust, CSound] [3. JavaScript, Python, C/C ++, openFrameworks, Arduino, TouchDesigner] |
Contact(Mail) | This item will appear when you log in (Keio ID required). |
K-Number | FPE-CO-05003-211-88 |
Course Administrator | Faculty/Graduate School | FPE | POLICY MANAGEMENT / ENVIRONMENT AND INFORMATION STUDIES |
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Department/Major | CO | ||
Main Course Number | Level | 0 | Faculty-wide |
Major Classification | 5 | Research Seminars | |
Minor Classification | 00 | Seminar | |
Subject Type | 3 | Elective subject | |
Supplemental Course Information | Class Classification | 2 | Lecture |
Class Format | 1 | Face-to-face classes (conducted mainly in-person) | |
Language of Instruction | 1 | Japanese | |
Academic Discipline | 88 | Comprehensive / Integrated Areas (Interdisciplinary Studies) |
Course Summary
Outline of "x-Music" Seminar
What is music? What kind of music should we create and express to the world? In this
"x-Music" seminar, we will explore the value and potential of music and try to create the next music that has yet to be named (= x-Music). We will create the "x-Music" from the following perspectives.
- Create the next unknown music (= x-Music) that has yet to be named.
- Explore ways of making music in extreme (eXtreme) situations
- Continue Producing experimental (eXperimental) prototype music.
- Cross boundaries to create synergy of values and ideas (X)
- Express yourself (eXpression) through music.
Course Description/Objectives/Teaching Method/Intended Learning Outcome
Theme and Goals of x-Music Research Group
Since its establishment in 1990, SFC has contributed to the development of music and art by distributing live music concerts via the Internet and producing computer music and media art. Now that 30 years have passed since its establishment, what kind of music should we create? The theme and goal of this research group is to explore the value and potential of music, and further explore the next unknown music (= x-Music) that has yet to be named.
Respecting the creative mind of the Keio University SFC x-Design program, we will try creating the "x-Music" from the following perspectives.
- Create the next unknown music (= x-Music) that has yet to be named.
- Explore ways of making music in extreme (eXtreme) situations
- Continue Producing experimental (eXperimental) prototype music.
- Cross boundaries to create synergy of values and ideas (X)
- Express yourself (eXpression) through music.
Research Seminar Theme
Project Theme (next semester)
Joint research with companies
We are working with industries and companies on the generation of music using brain wave data and smartfootware data etc. We will continue to focus on sonification of brain and body motions. In addition, we plan to conduct research on the theme of "Urban Composition," the generation of sound art and music using urban data, the generation of music using brain wave data, the generation of music using baby movement data, generating music from the pulsation movements of jellyfish and the life activity data of artificial cells etc to create the x-Music.
Sub-seminars and study groups
Sub-seminars and study groups will be held in each of the following three categories: 1) Sonic Technologist Group, 2) Sound Artist Group, 3) Independent Artist Group. Each of the group sets milestones for research activities. In the Sound Technologist group, students will use software such as Ableton and Max to deepen their knowledge and skills. The Sound Artist group will organize literature and historical contexts related to sound art, artworks, and publish essays and statements. The Independent Artist group will thoroughly engage in extracurricular activities while sharing their enthusiasm, knowledge, and skills with other members to implement the "x-music" in our society.
International conference presentations
We aim to present our work at NIME (The International Conference on New Interfaces for Musical Expression), ICMC (International Computer Music Association), NYCEMF (New York City Electroacoustic Music Festival), Ars Electronica, etc.
Examples of other activities
- Future Scape Project 2024 at Yokohama Zou-no-hana Terrace [LINK]
- Future Scape Project 2023 at Yokohama Zou-no-hana Terrace [LINK]
- Drum Session with Odakyu Railway [LINK]
- Creating & Knowing the “X” Music [LINK]
- Selected for the FY2023 Digital Creator Talent Development Project Flying Tokyo 2024 [LINK]
- Awarded the Yusuke Aonuma Prize at the Interverse Virtual Reality Challenge (IVRC) [LINK]
- Shinya Fujii Laboratory Keio University SFC ORF2020 Digest Video [LINK]
- Sonic Aquarium -Resonance- [LINK]
- Synthesize: x-Music Exhibition Talk Session [LINK]
- Urban Rhythmability [LINK]
- Dialect x Music [LINK]
- x-Music Exhibition vol. 0 [LINK]
- Sonic-Aquarium [LINK]
- Awarded Sonic-Aquarium ISCA2020 [LINK]
Active Learning MethodsDescription
Preparatory Study
Course Plan
Method of Evaluation
Textbooks
Yuta Uozumi. Creface: Proposal and Practice of a Conceptual Model for Spontaneous Creation. KEIO SFC JOURNAL, Vol. 20, No. 2, 2021. https://gakkai.sfc.keio.ac.jp/journal/.assets/SFCJ20-2-08.pdf
Shinya Fujii. The Heisei Era: The Encounter between Music and Neuroscience. KEIO SFC JOURNAL, Vol. 18, No. 1, pp. 186-201, 2018. https://gakkai.sfc.keio.ac.jp/journal/.assets/SFCJ18-1-08.pdf
Reference Books
Neumann Piano. 2061: Max Odyssey. Rittor Music, 2006. https://www.rittor-music.co.jp/product/detail/3105317326/
Alan Licht. Sound Art: Beyond Music, Between the Ear and the Eye. Film Art Inc., 2010. https://www.filmart.co.jp/books/978-4-8459-0942-1/